"An album like Erich Barganier's A House of Last Witnesses is not music you put on in the background as you wash dishes or study geography. It is an album which you take time out of your day to sit down with, to absorb into your experience. You let the motions of its sound environments spawn new perspectives in your imagination. You allow it to rub up against distant memories, igniting associations with parts of yourself which you thought had been lost long ago." - Forest Muran, VONYCO

"Loads of sonic personality in... the strangled stridulations of Barganier's The Veneer Melts," - Jeremy Shatan, An Earful

"Like [Ryoji] Ikeda, Barganier's sharp, plunging counterpoint confront us with vast complexities which... force us to adopt a position of apocalyptic awe, a reverence for the destructive powers of reality." - Forest Muran, VONYCO

"Barganier’s universe is fully abrasive. The tangibility of the music is striking: it’s a sensory explosion of scratches, electronic manipulations, turbulent violins." 
​- Vanessa Ague, The Road to Sound

​“Fading out” (Erich Barganier) è un pezzo ambient più canonico e minimale, à la Eno, in cui via via le note si ripetono e confondono (o siamo noi ad essere sempre più confusi?)" - Pablito El Drito, (A)ntimuzak

​"Barganier’s twinkling instrumental work...made the room move like an underwater ballet" - Bao Le-Huu, Orlando Weekly